Fly Times Black History Fact - Bessie Coleman

Elizabeth “Bessie” Coleman (January 26, 1892 – April 30, 1926) was an American civil aviator. She was the first female pilot of African American descent and the first person of African American descent to hold an international pilot license. Coleman quickly realized that in order to make a living as a civilian aviator—the age of commercial flight was still a decade or more in the future—she would need to become a "barnstorming" stunt flier, and perform for paying audiences. But to succeed in this highly competitive arena, she would need advanced lessons and a more extensive repertoire. Returning to Chicago, Coleman could find no one willing to teach her, so in February 1922, she sailed again for Europe. She spent the next two months in France completing an advanced course in aviation, then left for the Netherlands to meet with Anthony Fokker, one of the world's most distinguished aircraft designers. She also traveled to Germany, where she visited the Fokker Corporation and received additional training from one of the company's chief pilots. She returned to the United States with the confidence and enthusiasm she needed to launch her career in exhibition flying. In September 1921, she became a media sensation when she returned to the United States. "Queen Bess," as she was known, was a highly popular draw for the next five years. Invited to important events and often interviewed by newspapers, she was admired by both blacks and whites. She primarily flew Curtiss JN-4 "Jenny" biplanes and army surplus aircraft left over from the war. In Los Angeles, California, she broke a leg and three ribs when her plane stalled and crashed on February 22, 1922. She made her first appearance in an American airshow on September 3, 1922, at an event honoring veterans of the all-black 369th Infantry Regiment of World War I. Held at Curtiss Field on Long Island near New York City and sponsored by her friend Abbott and the Chicago Defender newspaper, the show billed Coleman as "the world's greatest woman flier nd featured aerial displays by eight other American ace pilots, and a jump by black parachutist Hubert Julian. Through her media contacts, she was offered a role in a feature-length film titled Shadow and Sunshine, to be financed by the African American Seminole Film Producing Company. She gladly accepted, hoping the publicity would help to advance her career and provide her with some of the money she needed to establish her own flying school. But upon learning that the first scene in the movie required her to appear in tattered clothes, with a walking stick and a pack on her back, she refused to proceed. "Clearly," wrote Doris Rich, "[Bessie's] walking off the movie set was a statement of principle. Opportunist though she was about her career, she was never an opportunist about race. She had no intention of perpetuating the derogatory image most whites had of most blacks. Coleman would not live long enough to fulfill her greatest dream—establishing a school for young, black aviators—but her pioneering achievements served as an inspiration for a generation of African American men and women.